Alexandra is a writer and multi-textural artist currently undertaking a PhD research candidature at Deakin University.

Her theoretical work focuses on the concept of the ‘line’ as an utterance and notation symbol within the act of process.

Line is considered as both a volumising or qualifying force as well as a static slither etched upon the paper on which she works.

Line is the crux at which we consider the difficulty of translation – the unraveling of the act between recording data and understanding meaning.

Currently, she is working on a series of linocut prints for a collection called ‘Linestudy’, a collaborative exhibition with her friend and fellow printmaker, Keren Zorn and the design and development of a touch sensitive loom.